BOOKS ON ARCHITECTURE
This edition, unlisted in specialized catalogues, is not well known (Lemerle, Pauwels 2013, p. 88). Nevertheless it concludes the long history of Le Muet’s “petit Vignole”. In fact it was the last time that Tavernier’s plates were used. In 1644 Tavernier had sold his stock to Pierre I Mariette and François Langlois. The heirs and successors had the advantage of being able to reprint the engraved works, including the text, with minimum modifications until the copperplates showed extreme wear and tear. Madeleine de Collemont, Langlois’s widow, remarried Pierre II Mariette (1634-1716) in 1655. His father Pierre I had sold his own stock to him in 1657 and it was thus that Tavernier’s copperplates had gone to Pierre II Mariette before passing on to his stepson Nicolas Langlois (1640-1703) after the death of Madeleine. Langlois printed an edition in his own name. Consequently Jean Mariette (1660-1742), Madeleine’s son, inherited the stock. Frédérique Lemerle (Centre national de la recherche scientifique,
Critical bibliographyF. Lemerle, “Les versions françaises de la Regola de Vignole au XVIIe siècle”, In Monte Artium (Journal of the Royal Library of Belgium), 1, 2008, pp. 101-120. F. Lemerle, “Vitruve, Vignole, Palladio et les autres: traductions, abrégés et augmentations au XVIIe siècle”, Architecture et théorie. L'héritage de la Renaissance, Tours, Cesr, June 3-4, 2009/Paris, École d'architecture de Paris-Malaquais, June 5, 2009. F. Lemerle & Y. Pauwels, Architectures de papier. La France et l’Europe, suivi d’une bibliographie des livres d’architecture (XVIe-XVIIe siècles), Turnhout, Brepols, 2013, p. 88.
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